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1 motion-picture apparatus
Большой англо-русский и русско-английский словарь > motion-picture apparatus
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2 motion-picture apparatus
киноаппарат; киноустановка; киноаппаратура; кинооборудованиеАнгло-русский словарь технических терминов > motion-picture apparatus
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3 motion-picture apparatus
Универсальный англо-русский словарь > motion-picture apparatus
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4 motion-picture projection apparatus
Большой англо-русский и русско-английский словарь > motion-picture projection apparatus
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5 motion-picture projection apparatus
Англо-русский словарь технических терминов > motion-picture projection apparatus
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6 motion-picture projection apparatus
Техника: кинопроектор, кинопроекционный аппаратУниверсальный англо-русский словарь > motion-picture projection apparatus
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7 apparatus
1) устройство; приспособление2) прибор3) аппарат; установка; аппаратура•- abrasive wear apparatus -
aging apparatus
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alignment sensing apparatus
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anti-set-off apparatus
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automatic switch apparatus
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automatic train stop apparatus
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ball-on-flat wear life apparatus
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base plate apparatus
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bemberg stretch-spinning apparatus
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blast apparatus
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block apparatus
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Bowden-Leben apparatus
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braking apparatus
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breathing apparatus
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brine apparatus
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bum-in apparatus
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buoyant apparatus
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calculating apparatus
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calibrating apparatus
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car checking apparatus
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carbon apparatus
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coating apparatus
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coil handling apparatus
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combustion safety apparatus
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composing apparatus
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compressed-air painting apparatus
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conditioning apparatus
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constant-flow apparatus
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continuous wear measuring apparatus
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control block apparatus
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coupling apparatus
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crossed cylinders test apparatus
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cutting apparatus
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dampening apparatus
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desktop apparatus
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developing apparatus
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diffusion apparatus
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direct-acting measuring apparatus
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dispensing apparatus
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distillation apparatus
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diving apparatus
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drop-weight test apparatus
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dry spinnings
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drying apparatus
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electric apparatus
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electrodialysis apparatus
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electrophoresis apparatus
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Engler-Ubbelohde apparatus
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evaporating apparatus
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exposure control apparatus
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feeding apparatus
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film drive apparatus
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film processing apparatus
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film reeling apparatus
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film tensioning apparatus
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flash point apparatus
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flaw-detecting apparatus
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float apparatus
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flow-measuring apparatus
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fog-signal apparatus
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foldable photographic apparatus
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folding apparatus
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freezing apparatus
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fretting apparatus
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friction and adhesion testing apparatus
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friction and fatigue apparatus
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friction and wear apparatus
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friction apparatus
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frying apparatus
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gate apparatus
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glueing apparatus
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heat-transfer apparatus
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high-temperature friction apparatus
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ice-cream apparatus
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ice-making apparatus
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image forming apparatus
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ink spraying apparatus
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inking apparatus
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interference measuring apparatus
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junction shearing apparatus
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key lock apparatus
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kinetic boundary friction apparatus
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lap-forming apparatus
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lime slaking apparatus
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malting apparatus
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manual block apparatus
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mashing apparatus
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matrix distributing apparatus
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measuring apparatus
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melt spinning apparatus
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melting apparatus
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melting-point apparatus
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monitoring apparatus
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motion-picture apparatus
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motion-picture projection apparatus
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multiple exposure apparatus
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mutual indentation hardness apparatus
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numerical control apparatus
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oscillating pin on flat friction apparatus
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oxygen breathing apparatus
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pasting apparatus
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pellet on disk apparatus
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photographic apparatus
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photographic developing apparatus
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photographic self-processing apparatus
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photographic type composing apparatus
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pin and ring apparatus
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planting apparatus
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position sensing apparatus
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printing apparatus
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processing apparatus
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projection apparatus
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quenching apparatus
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quick intermittent advancement apparatus
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receiving apparatus
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reciprocating pellet apparatus
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reciprocity calibration apparatus
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registering apparatus
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regulating apparatus
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rendering apparatus
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roasting apparatus
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rod cropping apparatus
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sampling apparatus
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sand-aerating apparatus
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sand-blasting apparatus
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sand-blast apparatus
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scratch test apparatus
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section block apparatus
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self-contained breathing apparatus
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self-developing photographic apparatus
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self-rescue breathing apparatus
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separating hosiery apparatus
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shake apparatus
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shear strength apparatus
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sheet delivery apparatus
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shirring apparatus
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signal handling apparatus
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slide projection apparatus
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sliding systems friction apparatus
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spark-quenching apparatus
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spinning apparatus
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spinning friction apparatus
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spline wear test apparatus
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start-stop apparatus
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static friction apparatus
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station block apparatus
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steam-heated apparatus
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steam-jacketed apparatus
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step-by-step apparatus
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stick-slip feet apparatus
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stocking mending apparatus
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strip-coiling apparatus
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strip-guiding apparatus
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strip-oiling apparatus
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surging-type pickling apparatus
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switch operating apparatus
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synchronizing apparatus
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thermocopying apparatus
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thrust washer test apparatus
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timber-hauling apparatus
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tool-positioning apparatus
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train apparatus
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transducing apparatus
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transmitting apparatus
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tree shear apparatus
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truncated cone on cylioder apparatus
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tuyere apparatus
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two annular friction apparatus
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Uhlig's apparatus
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ultrasonic film cleaning apparatus
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unmanned diagnostic control apparatus
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U-tube apparatus
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vacuum friction apparatus
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vacuum gas analysis apparatus
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vapor density apparatus
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vapor-testing apparatus
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vibration friction apparatus
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viewing apparatus
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vulcanizing apparatus
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waxing apparatus
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web guiding apparatus
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web processing apparatus
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weighing and packing apparatus
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wet spinning apparatus
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wheel counting apparatus
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workpiece identification apparatus
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workpiece politioning apparatus
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X-ray apparatus
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yarn supply apparatus
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yeast growing apparatus
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zone-melting apparatus -
8 киноустановка
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9 киноаппарат
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10 кинооборудование
Большой англо-русский и русско-английский словарь > кинооборудование
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11 киноаппаратура
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12 кинооборудование
Англо-русский словарь технических терминов > кинооборудование
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13 Dickson, William Kennedy Laurie
SUBJECT AREA: Photography, film and optics[br]b. August 1860 Brittany, Franced. 28 September 1935 Twickenham, England[br]Scottish inventor and photographer.[br]Dickson was born in France of English and Scottish parents. As a young man of almost 19 years, he wrote in 1879 to Thomas Edison in America, asking for a job. Edison replied that he was not taking on new staff at that time, but Dickson, with his mother and sisters, decided to emigrate anyway. In 1883 he contacted Edison again, and was given a job at the Goerk Street laboratory of the Edison Electric Works in New York. He soon assumed a position of responsibility as Superintendent, working on the development of electric light and power systems, and also carried out most of the photography Edison required. In 1888 he moved to the Edison West Orange laboratory, becoming Head of the ore-milling department. When Edison, inspired by Muybridge's sequence photographs of humans and animals in motion, decided to develop a motion picture apparatus, he gave the task to Dickson, whose considerable skills in mechanics, photography and electrical work made him the obvious choice. The first experiments, in 1888, were on a cylinder machine like the phonograph, in which the sequence pictures were to be taken in a spiral. This soon proved to be impractical, and work was delayed for a time while Dickson developed a new ore-milling machine. Little progress with the movie project was made until George Eastman's introduction in July 1889 of celluloid roll film, which was thin, tough, transparent and very flexible. Dickson returned to his experiments in the spring of 1891 and soon had working models of a film camera and viewer, the latter being demonstrated at the West Orange laboratory on 20 May 1891. By the early summer of 1892 the project had advanced sufficiently for commercial exploitation to begin. The Kinetograph camera used perforated 35 mm film (essentially the same as that still in use in the late twentieth century), and the kinetoscope, a peep-show viewer, took fifty feet of film running in an endless loop. Full-scale manufacture of the viewers started in 1893, and they were demonstrated on a number of occasions during that year. On 14 April 1894 the first kinetoscope parlour, with ten viewers, was opened to the public in New York. By the end of that year, the kinetoscope was seen by the public all over America and in Europe. Dickson had created the first commercially successful cinematograph system. Dickson left Edison's employment on 2 April 1895, and for a time worked with Woodville Latham on the development of his Panoptikon projector, a projection version of the kinetoscope. In December 1895 he joined with Herman Casier, Henry N.Marvin and Elias Koopman to form the American Mutoscope Company. Casier had designed the Mutoscope, an animated-picture viewer in which the sequences of pictures were printed on cards fixed radially to a drum and were flipped past the eye as the drum rotated. Dickson designed the Biograph wide-film camera to produce the picture sequences, and also a projector to show the films directly onto a screen. The large-format images gave pictures of high quality for the period; the Biograph went on public show in America in September 1896, and subsequently throughout the world, operating until around 1905. In May 1897 Dickson returned to England and set up as a producer of Biograph films, recording, among other subjects, Queen Victoria's Diamond Jubilee celebrations in 1897, Pope Leo XIII in 1898, and scenes of the Boer War in 1899 and 1900. Many of the Biograph subjects were printed as reels for the Mutoscope to produce the "what the butler saw" machines which were a feature of fairgrounds and seaside arcades until modern times. Dickson's contact with the Biograph Company, and with it his involvement in cinematography, ceased in 1911.[br]Further ReadingGordon Hendricks, 1961, The Edison Motion Picture Myth.—1966, The Kinetoscope.—1964, The Beginnings of the Biograph.BCBiographical history of technology > Dickson, William Kennedy Laurie
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14 кинопроекционный аппарат
Англо-русский словарь технических терминов > кинопроекционный аппарат
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15 Muybridge, Eadweard
SUBJECT AREA: Photography, film and optics[br]b. 9 April 1830 Kingston upon Thames, Englandd. 8 May 1904 Kingston upon Thames, England[br]English photographer and pioneer of sequence photography of movement.[br]He was born Edward Muggeridge, but later changed his name, taking the Saxon spelling of his first name and altering his surname, first to Muygridge and then to Muybridge. He emigrated to America in 1851, working in New York in bookbinding and selling as a commission agent for the London Printing and Publishing Company. Through contact with a New York daguerreotypist, Silas T.Selleck, he acquired an interest in photography that developed after his move to California in 1855. On a visit to England in 1860 he learned the wet-collodion process from a friend, Arthur Brown, and acquired the best photographic equipment available in London before returning to America. In 1867, under his trade pseudonym "Helios", he set out to record the scenery of the Far West with his mobile dark-room, christened "The Flying Studio".His reputation as a photographer of the first rank spread, and he was commissioned to record the survey visit of Major-General Henry W.Halleck to Alaska and also to record the territory through which the Central Pacific Railroad was being constructed. Perhaps because of this latter project, he was approached by the President of the Central Pacific, Leland Stanford, to attempt to photograph a horse trotting at speed. There was a long-standing controversy among racing men as to whether a trotting horse had all four hooves off the ground at any point; Stanford felt that it did, and hoped than an "instantaneous" photograph would settle the matter once and for all. In May 1872 Muybridge photographed the horse "Occident", but without any great success because the current wet-collodion process normally required many seconds, even in a good light, for a good result. In April 1873 he managed to produce some better negatives, in which a recognizable silhouette of the horse showed all four feet above the ground at the same time.Soon after, Muybridge left his young wife, Flora, in San Francisco to go with the army sent to put down the revolt of the Modoc Indians. While he was busy photographing the scenery and the combatants, his wife had an affair with a Major Harry Larkyns. On his return, finding his wife pregnant, he had several confrontations with Larkyns, which culminated in his shooting him dead. At his trial for murder, in February 1875, Muybridge was acquitted by the jury on the grounds of justifiable homicide; he left soon after on a long trip to South America.He again took up his photographic work when he returned to North America and Stanford asked him to take up the action-photography project once more. Using a new shutter design he had developed while on his trip south, and which would operate in as little as 1/1,000 of a second, he obtained more detailed pictures of "Occident" in July 1877. He then devised a new scheme, which Stanford sponsored at his farm at Palo Alto. A 50 ft (15 m) long shed was constructed, containing twelve cameras side by side, and a white background marked off with vertical, numbered lines was set up. Each camera was fitted with Muybridge's highspeed shutter, which was released by an electromagnetic catch. Thin threads stretched across the track were broken by the horse as it moved along, closing spring electrical contacts which released each shutter in turn. Thus, in about half a second, twelve photographs were obtained that showed all the phases of the movement.Although the pictures were still little more than silhouettes, they were very sharp, and sequences published in scientific and photographic journals throughout the world excited considerable attention. By replacing the threads with an electrical commutator device, which allowed the release of the shutters at precise intervals, Muybridge was able to take series of actions by other animals and humans. From 1880 he lectured in America and Europe, projecting his results in motion on the screen with his Zoopraxiscope projector. In August 1883 he received a grant of $40,000 from the University of Pennsylvania to carry on his work there. Using the vastly improved gelatine dry-plate process and new, improved multiple-camera apparatus, during 1884 and 1885 he produced over 100,000 photographs, of which 20,000 were reproduced in Animal Locomotion in 1887. The subjects were animals of all kinds, and human figures, mostly nude, in a wide range of activities. The quality of the photographs was extremely good, and the publication attracted considerable attention and praise.Muybridge returned to England in 1894; his last publications were Animals in Motion (1899) and The Human Figure in Motion (1901). His influence on the world of art was enormous, over-turning the conventional representations of action hitherto used by artists. His work in pioneering the use of sequence photography led to the science of chronophotography developed by Marey and others, and stimulated many inventors, notably Thomas Edison to work which led to the introduction of cinematography in the 1890s.[br]Bibliography1887, Animal Locomotion, Philadelphia.1893, Descriptive Zoopraxography, Pennsylvania. 1899, Animals in Motion, London.1901, The Human Figure in Motion, London.Further Reading1973, Eadweard Muybridge: The Stanford Years, Stanford.G.Hendricks, 1975, Muybridge: The Father of the Motion Picture, New York. R.Haas, 1976, Muybridge: Man in Motion, California.B.Coe, 1992, Muybridge and the Chromophoto-graphers, London.BC
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